——The famous Japanese designer came out to talk about the lighting design trend
On June 10, 2007, the famous Japanese lighting design expert Mr. Xun Xun will give a keynote speech on “Design Requirements for Ancient Architectural Lighting and Modern Lighting Design†in Conference Room 2 of Guangzhou International Convention and Exhibition Center. On the eve of the speech, the reporter decided to interview him from afar. Mr. Xun Xun is very character and will only accept a three-minute interview with the reporter. After talking about it, he even talked about it for more than 20 minutes.
Compare Chinese and Japanese lighting design styles
He said that his relationship with the Chinese lighting design community can be traced back 25 years ago, when he undertook the design work of some architectural lights in the White Swan Hotel. In this way, it was impossible to accept it. Later, even some lighting projects of CCTV became his masterpiece.
When the reporter asked about the difference between China and Japan in lighting design, he said that there is a lot of design style and appreciation habits in China and Japan. The difference is that Japan has been exposed to European and American cultures earlier, and the introduction of Western design elements is more, so it is more westernized; Chinese style is more traditional. But with the increasing openness and development of Chinese society, this difference will become more and more
Lighting design requires a deep foundation
Lighting design is not only a consumable of the representative layer, but also a diversified “light culture†fusion of various places on the earth. Where is the development direction of lighting designers? I have been exploring the answer to this question since 1978. In his eyes, the behavior of lighting design is now becoming more and more rash and “crashâ€. It seems like a cheap seasonal item that can be thrown away when it is used. For example, in Shanghai, China, where the economy is developing at a high speed, the designer has become a “trash of light†due to the lack of overall skills.
In addition, once people have mastered the LED light source that can freely choose the color of light, all places on the street become a place where colored light is used, which is very dangerous. Because lighting design is essentially a kind of human wisdom, it is a work that is deeply related to culture.
Face-to-face Kaoru made a metaphor: lighting designers are like a group of creatures that are embarrassed in the bubble of change in the times, and their mission and role change from time to time. In the early days of lighting design development, it required to make life function upwards, resulting in a highly efficient, bright city and bright family life. However, this "bright" energy consumption is now accused of "the evil of society." The overly bright questions are coming in, and the lighting design has ushered in an era in which quality is better than quantity. Designing a happy and comfortable life within a limited energy range is a trend in modern lighting design.
He admits: I myself have repeated the words "not only the design of light, but also the design of the mind."
In the 21st century, "comfort is the key word for lighting design", no one has doubts. What is the “light design†for comfortable life? This is a factor that needs to be considered now. However, further prospects have found that even keywords such as "functionality" and "comfort" will be refreshed in the future. The lighting of the new era not only stays in the light, but is free to fly in space with glowing materials and objects.
Lighting designers are both sociologists and scientists and artists
With technological advances, one can avoid the lack of freedom in electrical energy. Lighting designers can directly create things with life value, not only for brightly seeing objects, but also for expressing all the scenery in the field of vision, but should directly affect the inner world of people, deeper than a painting. Touching people, people's inner sadness is cured, emphasizing moderate excitement. Our lighting designers have to be both sociologists, scientists and artists. Lighting design involves sociological, scientific, and artistic requirements, and designs that lack a branch require a crisis. That is to say, the design that ignores social requirements and economic principles cannot be established; but if it only advocates its social requirements and economic principles, interesting and beautiful lighting design may not be available.
A lot of design achievements are obtained by designers based on their accumulated artistic feelings. Because the feeling is not safe, the lighting design needs to be rigorous. Lighting design, enlighten the society, shock the soul, social, scientific, artistic attainments are indispensable.
I often call for "design for society." The designer is not a practitioner who lives alone in the tent. On many occasions, design is the result of all kinds of cooperation. There are many compromises in the middle. Things that don't have their own personality have to exist. That is to say, design is a product of social and economic mechanics, and designers should be flexible and responsive to social and economic requirements. However, “the origin of design is criticism of societyâ€, so criticism of current social issues with sharp and indignant is also necessary for designers. To put it too far, the anger of social issues is also necessary for lighting designers and the driving force behind good design. Therefore, we must constantly criticize social issues.
Although I am very affectionate about the place where I raised my life in Tokyo, I am still very angry about its light environment. On both sides of the Sumida River in front of me, the bare mercury street lamp is synonymous with "light damage" and is also caused by the ignorance of public institutions. I am convinced that in-depth criticism of social issues is the first step in my lighting design.
Emphasis on scientific perspectives designed for theory
Because lighting design is often based on feelings, it is result-oriented, and its description of the language is also lacking in specificity. Therefore, I am largely annoyed at the abstraction of design. Because I don't know why it feels better.
"I don't like the words of the light 1 owner. Any persuasive reason has become useless. I decided that the final lighting design process is: always put the "why this design method is the most appropriate" proof In my heart, I repeatedly ask myself "Why? If you can answer well, you will pass, and vice versa. Although there are some ways to express lighting design in literary form, more combination implementation is rational—science-based arguments are very important.
The advancement of lighting science and technology is very dazzling. Sometimes, as long as the latest lighting optics with new light sources are displayed, consumer lighting design is immediately established.
Despite this, designs that only represent technological novelty are dangerous. Lighting design is a kind of behavior that integrates science and technology into the living environment. There must be courage to reform itself.
I often say to myself: design by feeling!
“Feeling†is the weapon that the designer ultimately defends. Although design is an act of thinking about the happiness of others, it is not contradictory to design for yourself. We can't impose anything that we don't feel uncomfortable on others. In this sense, designers basically have to follow their own "feel". Through more contact with beautiful things, I am deeply saddened by the unfortunate reality, so that my "feel" is honed and leap. Therefore, lighting designers must continue to observe the complex "light phenomenon" with the trust of their own facial features. In order to make your eyes have the same natural light as a dish, you must repeatedly "see through." Take a look at the architectural heritage scattered around the world, and let the changing light and thinking methods come into view. Walking with the camera in the bustling streets, sometimes encountering a very failed lighting design, then you have to calmly analyze where it failed. We are faced with these "lights" and progress day by day, and eventually we will become more and more confident about our "feel". What is indispensable for the performance of "light" is the "feeling" ability. People who don't have "feeling" can't do good design. We have to hone our sharp "feeling" weapons from time to time.
How will the future of mankind and light change? Because of the changes in values, the consumption, the 20th century, the "quantity" of light is negated, and now it should be changed in the direction of the quality of light before the 19th century. In other words, in an era when electricity is not yet free, a good attitude towards life is more important.
How to use natural light while making natural light better in life? This seems to be an eternal subject. I feel that lighting design will be strongly demanded to return to the design of life that makes good use of the sun. In the future, the architectural lighting method has to pay more attention to the architectural form organization and building materials, energy and other factors. The lighting design will once again be part of the architectural design and have a deeper integration with the architectural design.
The research on artificial light sources is also accelerating, and the competition for the development of LEDs in the world is fierce. The dream of 100lm/w is 10 years later or 20 years later? I feel too late after 50 years. By that time, the price of LEDs should also be drastically reduced. In this case, fluorescent lamps and high-intensity discharge lamps that are now in large use will definitely become the light source of the past. Of course, the style of lighting equipment will also change, interior design and architecture, urban space system will also be a great innovation. Lighting fixtures on the ceilings of residential and office buildings will disappear, and the daylights in the urban exterior space will not be too far away.
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